10/13 (tue) FOuR DANCERS vol.363～dance performance night～

佐久間新＋Eden – Loriot – Tantanozi
村岸紀子＋やぶくみこ（gamelan）
和田浩
RENATA ASATO 安里ヘナタ

◇ OPEN 19:00 / START 19:30
◇ adv.2300 yen + 1drink / door.2600 yen + 1drink
◇ dancer. 1700yen + 1drink

佐久間新
何年か前、大阪の小さなライブハウスで磯端伸一さんとほんとに渋い即興をした。それを見ていたFrantzさんから一緒にやってみたいとメールがあった。彼から今回のトリオのyoutubeのリンクが送られてきた。きっといい感じになると予感がした。

shinsakuma.jimdofree.com

Shin Sakuma
Since 1988, he started Gamelan at Osaka University. From 1995 for 4 years, he learned at Indonesia University of Art, and performed at large number of stages, such as in Palace.
After returning Japan, he produces not only traditional work but also performs for the music created by Makoto Nomura (Japan) and David Kotlowy (Australia) and so on.
 Since 2004, he collaboratively works with disabled members of Tanpopo-no-ye in Nara and conducts workshops and creates opportunity to show the work in Able Art Movement.
Since 2005, he founded “I-Picnic” which improvises performance at outdoors. The improvised performance is being held at Indonesia, Japan, Austria and Hungary, and also produced DVD.
Performed in 07’ and 09’at Kontraste Music Festival (Austria) , and in 08’ Creative dance and drama performance tour (Indonesia) , Solo Ethnic Music Festival (Indonesia) and Ogaki Biennale (Gifu).
 Since 2009, he produces workshop series on dance and philosophy, in collaboration with Center for the Study of Communication-Design, Osaka University.  As well as being a traditional Javanese dancer, I have been involved in dance projects which are concerned with the concept such as ‘collaboration’ and‘improvisation’ and ‘communication’. Recent Important Choreography and Stages “CITY III”, Script: Kageyama Kishodai, Dirctor: Neji pijin, Performer: Shin Sakuma, Mika Masuda, Kaori Nishio, Honami Shimizu, Morihiro Matsui, (2018). Aichi Prefectural Art Theater, Aichi in 2018. “PATINA”, Director: David Kotlowy, Choregraphy: Ade Suharto, Shin Sakuma, (2018). World Premier at the Space Theatre, Adelaide Australia in 2018. “Dandan Tambo ni Yoakshi Kaeru”, Director: Shin Sakuma, Music: Makoto Nomura, (2018). World Premier at the Xebec Hall, Kobe in 2019. HP https://shinsakuma.jimdofree.com

PHILIPP EDEN _ FRANTZ LORIOT _ MARINA TANTANOZI

Philipp Eden_prepared piano Frantz Loriot_viola Marina Tantanozi_flutes Formed in 2021 in Zürich, this trio explores the possibilities of acoustic improvisation through a distinct instrumentation of piano, viola, and flutes — a music shaped by listening, movement, and resonance. Over the years, the trio of Philipp Eden (piano), Frantz Loriot (viola), and Marina Tantanozi (flutes) developed a playground characterized by trust, openness, and curiosity through their regular rehearsals. Through an ongoing improvisational practice, they explore the intensity of sound as gesture within a solely acoustic context — a gesture informed by an awareness of space, silence, and the physicality of sound. They have established a non-hierarchical way of playing, where each voice holds equal weight. The music unfolds as three distinctive lines moving side by side — maintaining their autonomy while remaining deeply responsive to one another. Rather than merging into a single voice, the trio cultivates a fragile balance between independence and connection, allowing the music to evolve with quiet unpredictability. First album “And raw, lift my eyes” released on inexhaustible editions in September 2025 https://inexhaustibleeditions.bandcamp.com/album/and-raw-lift-my-eyes Biographies

Marina Tantanozi is a flutist and improviser also working in sound art. Born in Thessaloniki in Greece, she is currently based in Basel after some stops in Berlin, Maastricht and Zürich. She pulls from a wide range of musical influences such as jazz, new music and traditional middle-eastern music to compose a sound world where she extends the techniques and expressions of the flutes, combining voice, spoken text, microtonal textures and electronic processing. Her creative processes focus on the notions of communication and temporality. As a performer she is interested in making music in diverse settings, at the intersection of improvised, experimental, contemporary jazz and new music. Festival and club performances have led her throughout Europe and Russia. She currently works with the Insub Meta Orchestra, Aquaserge, tangent+mek, Sinfonietta Basel a.o. and she has performed with the Joyful Noise orchestra, Eve Risser, Alfred Zimmerlin, Andria Nicodemou, Julian Sartorius, Timothée Quost and Sebastian Strinning among many others. She regularly performs solo concerts, using a set-up with amplified flutes and FX, exploring a balance between acoustic and amplified sound. Passionate about interdisciplinary and collaborative work, she regularly engages in research and she works with artists from fields such as dance, theatre and the visual arts.  She has an ongoing collaboration with the dancers/ choreographers Sonia Ntova and Manel Salas Palau. In 2019 she created the sound installation “the third space”, for Unfrozen Education or How to Relearn (GR, CH). In order to promote and support improvised and experimental music, she co-curated KlangBang (Basel) from 2015 until 2019 and organizes concerts irregularly, and she co-founded the organization AdHocArts Athens (2021, Greece). https://www.marinatantanozi.com/

Philipp Eden is a musician, improviser, curator based in Basel, Switzerland. His work, whether music-related or curatorial, is motivated by the intent to create synergetic exchanges between individuals and communities. A central aspect in his artistic practice is improvisation; as an attitude towards life at large and music in particular — cultivating mindfulness, spontaneity, and openness and paving the way for connection. When working with sound, his main tools of expression are: (prepared) piano, analogue synthesizers, recording devices, everyday objects, and drums. His work is shaped by the ability to tune into people, the sensing of a given space and the practice of listening. This practice extends to his fascination with raw sound phenomena as found in the natural and urban environments. Although his music draws inspiration from a variety of sources, it’s the outer fringes, where genre delineations dissolve completely, that interest him most. Over the years, he collaborated with artists such as: Andria Nicodemou, Bernd Konrad, Christian Weber, Dave Gisler, David Meier, Dominique Girod, Florian Egli, Evelinn Trouble, Jonas Ruther, Klara Germanier, Lotus-Eddé Khouri, Marina Tantanozi, Miao Zhao, Paul Amereller, Raphael Walser, Silvan Schmid, Stefan Schönegg, Tapiwa Svosve, Tobias Meier, Tizia Zimmermann, Tobias Pfister, Vincent Glanzmann, Vojko Huter, Xaver Rüegg. Philipp is a founding member of the Zürich-based collective Gamut. Under their umbrella, he co-curates the concert series STUENZI at the Rote Fabrik and works at the collective’s label edition gamut. https://philippeden.net/

Violist Frantz Loriot (*1980) performs as a soloist and is active in several international ensembles, working mainly through improvised music practices. He regularly contributes to interdisciplinary projects involving dance, theater, image, poetry and space. Over the years, Loriot has developed a unique and radically personal musical language. He breaks with tradition and constantly seeks to push himself and his music towards ever-wider horizons. His constant development prompts him to reflect on the relationship between his own practice and philosophical and political theories. Loriot performs regularly throughout the world (Europe, USA, South America, Japan and the Middle East) and has been invited as artist-in-residence by various festivals, venues and ensembles. Loriot is one of the organizers of PHONEM (formerly Zwei Tage Zeit), a festival dedicated to various practices of improvised music in Zurich and launched www.recordedness.org, an online writing project centered on the nature of recordings in music. After living in Paris and New York, Frantz Loriot has been based in Zürich (Switzerland) since 2013. https://www.frantzloriot.com/

村岸紀子：Noriko Muragishi
幼少期から身体での表現が好きで踊っていたが、しっかりと向き合うようになったきっかけは2014年にインドネシアでジャワ舞踊との出会ったこと。 伝統舞踊、即興舞踊、コンテンポラリーなどのジャンルで線を引かず、（今のところ）”踊り＝身体”と捉え、日々身体と向き合う。

やぶくみこ　Kumiko Yabu
音楽家／作曲家。1982年岸和田生まれ。英国ヨーク大学大学院コミュニティーミュージックを修了。舞台音響家を経て音楽家へ。インドネシアのジャワガムランなど民族楽器を中心に国内外の舞台音楽の作曲、演奏や他ジャンルとのコラボレーション多数。地域と人々の多様性に寄り添ったオーダーメイドな音楽ワークショップを各地で展開。淡路島にて野村誠と「瓦の音楽」を2013年より監修。京都にて即興中心のガムラングループ ”スカルグンディス”を主宰。2023年寺尾紗穂のCD「わたしの好きな労働歌」に参加。湖西在住。

photo 三村博史
和田浩
幼少期から陸上競技に親しみ、三段跳びを専門種目とした。 踊りとは縁のない人生だったが、20代半ば、屋久島で開催された竹之内淳志さんの舞踏ワークショップに参加し、突如として踊り始めた。 それから20年余り、今貂子さんや由良部正美さんに舞踏を学びつつ、さまざまなダンサーやアーティストと交流しながら、舞踊の森を歩んでいる。近時の出演作として、『夏目美和子の手繰る集 vol.1』（2025）などがある。 現在、弁護士としても活動している。

RENATA ASATO 安里ヘナタ

Renata Asato (b. 1986) is a Brazilian actress based in São Paulo and a researcher ofJapanese performing arts in Brazil. She is developing a solo performance exploring the master-disciple relationship and the difficulty of saying no.

Renata has been studying Asian body techniques since 2014, with a particular focus onNoh Theatre. In 2024, she first came to Kyoto to study Noh Theatre singing and dancing with Tatsushige Udaka. She is now returning to Japan for the second time to further her studies at the International Noh Institute.

Since 2016, she has been a member of the theatre troupe Hanimais Hestranhos, directed by Tatiana Motta Lima in Rio de Janeiro. In São Paulo, she is part of a Noh Theatrestudy group called Yoroboshi Za, directed by Jun Ogasawara and coordinated by ToshiTanaka. She is also part of the cast of Muitas Ondas São O Mar, directed by Key Sawaoand featuring a cast of Nikkei artists.

安里ヘナタ（1986年生まれ）は、サンパウロを拠点に活動するブラジル人俳優であり、ブラジルにおける日本の舞台芸術を研究している。現在、師弟関係と「ノー」と言うことの難しさをテーマにしたソロ・パフォーマンスを制作している。

2014年よりアジアの身体技法を学び、特に能楽を中心に研究を続けている。2024年、初めて京都を訪れ、宇髙竜成氏に謡と仕舞を師事した。現在、国際能楽研究会（The International Noh Institute）でさらに学ぶため、2度目の来日を予定している。

2016年より、Tatiana Motta Lima演出の劇団 Hanimais Hestranhos（リオデジャネイロ）に所属している。サンパウロでは、ジュン・オガサワラ演出、田中敏行氏コーディネートによる能楽研究会「Yoroboshi Za」に参加している。また、日系アーティストによるキャストで構成された、Key Sawao演出の舞台作品Muitas Ondas São O Mar に出演している。